Strategy Proposal · June 2026

Gillie & Marc
The year ahead.

An always-on program for 2026 and 2027, built on the proven economics of your 50% Off Painting Sale. One repeatable engine running every day, with up to five sale events a year on top: dedicated landing pages, a growing first-party database, and ad spend pointed only at the people who actually buy.

5
Sale events a year, included
2
Always-on channels (Google + Meta)
4.09x
Proven ROAS (paintings)
A$5.05
Proven cost per lead
Why we already know this works

We did not start from a theory. We started from a result.

The 50% Off Painting Sale was the first conversion-optimised campaign on your ad account in five years. In one three-week flight it built a net-new, AU and NZ only audience of art buyers at a sustainably low cost, and it sold paintings while it did so.

1,697

new opt-in subscribers

A$5.05

cost per subscriber (benchmark A$8 to A$25)

~17

sales, ~A$35,000 revenue, 4.09x ROAS

Two of those sales were bronze sculptures (about A$2,000 each) bought by brand-new collectors who came in through a painting ad, plus two in-person gallery visits traced directly to the campaign. That is the whole thesis of this proposal in miniature: a buyer who enters through one door will walk through the rest of the gallery. Each campaign feeds the next.

Top performerThe winning ad creative from the painting sale
Painting sale ad creative
Painting sale ad creative
Painting sale ad creative
Painting sale ad creative
Painting sale ad creative

The actual creative from your 50% Off Painting Sale: your own artwork, the ads that built the audience. We design and produce all of it for every event, included in the plan.

Full figures in the companion document: the 50% Off Painting Sale Final Report.

The approach

One always-on engine, plus up to five sale events a year

Both Google Ads and Meta Ads run continuously to keep sales coming in, and on top of that we build and run up to five sale events through the year, each with its own dedicated landing page, fired when it suits you. That is exactly the right model for a catalogue as broad as yours, and it is what we have built this proposal around.

Every campaign uses the same proven engine

  • A dedicated landing page that captures the email address before the sale
  • Conversion-optimised ads, AU and NZ first, weighted to the buyers (45 to 65+ women on Facebook Feed)
  • Clean tracking, retargeting pools, and an end-of-campaign report you can act on

Each campaign compounds the last

  • Every campaign grows one shared first-party database you own forever
  • A painting buyer becomes a warm audience for your next bronze or sculpture event
  • The always-on layer keeps the brand in front of that database between campaigns
Before campaign one

The measurement foundation

On the painting sale, your form widget told Mailchimp about every signup but only passed 11 of 1,697 leads back to Meta, a 0.6% match rate. Meta was optimising on almost-blind data and still delivered 4.09x. Fixing this once, before the program starts, makes every campaign that follows cheaper and sharper.

Expected effect, based on the painting-sale gap: a 20% to 40% improvement in cost-per-result on every campaign after this, purely from giving the algorithms honest signal. This is a one-off setup, not a recurring cost.

The program

Up to five sale events a year

These are the kinds of events we can run, examples to choose from rather than a fixed list. Each runs as a self-contained three to four week flight with its own landing page, audience and offer. Use all five, or pick the ones that suit your calendar. Recommended ad spend is the budget paid to the ad platforms, separate from our management fee, and tunable up or down.

Campaign 1 · Proven

Painting Sale

The campaign we just ran, repeatable one to two times a year. Direct sales plus rapid list growth. Audience weighted to 45 to 65+ women, Facebook Feed first, AU and NZ. This is your highest-volume, fastest-return campaign.

Landing page: catalogue request / studio invitation. Primary metric: cost per subscriber and direct ROAS.

Campaign 2 · Higher value

Bronze Sculptures for the Home (Special Offer)

A focused offer on small and medium bronzes for the home, sold to your warm database first (the painting list, plus your three main newsletters) then to fresh lookalikes. Higher average order value than paintings, so a smaller audience can return more revenue.

Landing page: bronze-for-home collection with the offer. Primary metric: revenue and ROAS.

Campaign 3 · Seasonal

Collector and Seasonal Events

Lighter, more frequent moments that create urgency without a heavy discount: a collector preview, a new-release drop, a gift-led or seasonal event. Sold to your warm database first, then fresh lookalikes. This is the continual flow you described, keeping sales moving between the bigger events through the year.

Landing page: themed collection or preview. Primary metric: sales and new collectors.

Campaign 4 · Considered

Commissions and higher-value works

Quality over volume. You have found that cold Google search for commissions and garden works brings poor enquiries and a lot of wasted follow-up, so we do not chase it. Instead we reach the right people through warm retargeting and lookalikes of your existing collectors, portfolio-led creative built on your public-art credibility, with qualifying questions on the form so your team only follows up genuine prospects.

Landing page: commission enquiry, portfolio and process led. Primary metric: qualified enquiries.

Campaign 5 · B2B

Landmark Sculpture (developers and large-scale projects)

The most specialised campaign, aimed at property developers, councils, architects and urban planners. LinkedIn and Google Search lead, supported by precise Meta targeting. Creative built on your strongest proof: "the most prolific creators of public art in New York's history" and 250+ cities.

Landing page: developer and project focused, case-study driven. Primary metric: enquiries from qualified organisations.

The connective layer

Always-on brand awareness

Between the sale events, both Google Ads and Meta Ads run continuously to keep Gillie & Marc in front of your audience and drive sales of your core sellers: the small and medium bronzes (the A$1,000 to A$3,000 range), plus your smaller paintings and artworks. This is the engine that produces a steady flow of sales year-round, not just when there is a sale on, and it warms audiences so each event converts harder when it launches.

What it does

  • Retargets website and campaign visitors who did not buy
  • Keeps the bronze-for-home collection visible year round
  • Feeds warm audiences into every flagship campaign

How it runs

  • Meta and Google, low daily spend, always live
  • Monthly management and a light monthly ad budget
  • Reviewed and refreshed monthly
Phase two, optional

Organic and AI search: owning the traffic you currently rent

This is an optional phase-two layer, not part of the A$4,000 plan. We recommend adding it once the always-on paid engine is proving its return, so it builds on a proven base. Paid ads rent attention. The moment the spend stops, so does the traffic. Search engine optimisation does the opposite: it builds an asset that keeps bringing buyers in, month after month, at no cost per click. For Gillie & Marc it is an unusually strong fit, because you already have the two things organic visibility rewards most and cannot be faked: real authority and real demand. There is now a second organic front too: the AI answer engines (ChatGPT, Perplexity, Google AI Overviews and Gemini) that increasingly answer a buyer before they ever reach a page of search results. We cover both.

Why it fits you

  • Real authority: "the most prolific creators of public art in New York's history", 250+ cities, decades of press
  • Real demand: people search bronze sculpture, garden sculpture, public art commissions and statue artists every month
  • A broad catalogue that maps neatly onto high-intent search across every collection

What we would do

  • Technical foundation: site health, speed, indexing, artwork schema, and the legacy issues our audit already flagged
  • Content and on-page: collection and artwork pages built to rank for the terms buyers actually type
  • Authority and local: turn your public-art story into link-worthy content, and own local search for the Botany gallery plus your New York and London presence

The new front: AI answer engines (AEO)

More buyers now ask ChatGPT, Perplexity, Google AI Overviews and Gemini before they reach a search box. Answer engine optimisation makes Gillie & Marc the name those tools cite, and your authority is exactly what they reward.

  • Structure your facts, artworks and credentials so AI engines can read and quote them accurately
  • Build the entity and knowledge-graph presence that gets you named as the answer
  • Track how often the brand is surfaced and cited, and grow that share month on month

The synergy: every campaign landing page we build is also engineered to rank, so it keeps earning organic enquiries long after the paid flight ends. Paid fills the list fast, organic compounds quietly underneath. Over a year, the two together cost less per enquiry than either one alone.

Illustrative

The year at a glance

An illustrative cadence only. You tell us when to fire each event, and the always-on engine runs underneath the whole year.

WindowSale eventUnderneath
Quarter 1Painting SaleAlways-on Google + Meta, continuous
Quarter 2Bronze for the Home
Quarter 3Collector or seasonal event
Quarter 4Bronze event, or a second Painting Sale
Pricing

What it costs

Two numbers, always kept separate, exactly as you asked: our management fee (what you pay 121 Group to plan, build and run the work) and the ad spend (what is paid to Meta and Google, which you fund and fully control). Every campaign management fee includes its dedicated landing page. All figures are in AUD and exclude GST.

The always-on plan (recommended)

Included in the planDetail
Always-on Google Ads and Meta AdsBoth channels, running continuously, optimised every day to keep sales flowing year-round
Up to 5 sale events per yearBronze sales, painting sales, collector and seasonal events, your choice of timing and theme, built and run for you at no extra management fee
CreativeDesigned and produced by us, included
Offline-conversion tracking and measurement foundationIncluded (normally A$1,950, waived for always-on)
Monthly management feeA$5,500  A$4,000 / month ex GST
Ad spendSeparate, funded and fully controlled by you

One flat monthly fee. The always-on engine across both channels keeps sales coming in between events, and up to five sale events a year are built for you underneath it at no extra management fee. Minimum three-month term so the audiences and tracking can compound, cancellable monthly thereafter.

Why the plan beats paying per campaign

At A$4,000 a month you get both channels running every day and up to five sale events a year built for you, plus creative and the full measurement foundation, with nothing extra on the management side. Run five sale events as one-off standalone campaigns instead (A$5,500 management each) and the management alone would be more than A$27,000 for the year, before the always-on layer. You fund only the ad spend.

Phase two, when you are ready: organic and AI search (SEO + AEO)

ItemManagement feeNotes
SEO and AEO retainer (technical, content, authority, AI visibility)A$2,000 / monthAn optional add-on once the paid engine is proving its return. No ad spend: this drives unpaid organic traffic and AI citations, your cheapest long-term source of enquiries.

We recommend layering this in after a few months of always-on results, so it builds on a proven base. SEO and AEO compound over time, so a six-month minimum applies once you start.

Higher-value commissions and garden works

You have told us that broad Google search targeting for large commissions, garden and bespoke pieces has produced poor-quality enquiries in the past, and we agree it is rarely the best use of budget. Rather than chase cold searches, we surface these to the right people through warm retargeting and lookalikes of your existing collectors, with qualifying questions on the enquiry form so your team only follows up genuine prospects. This runs inside the always-on plan at no extra fee.

Standalone campaigns (only if you would rather not go always-on)

If you prefer to run sale events one at a time instead of the always-on plan, each is A$5,500 management (one-off), covering strategy and offer design, a dedicated landing page, creative, full build, daily optimisation and an end-of-campaign report. For a year of activity, the always-on plan above is far better value.

Budget scenarios

Your plan at a glance

One simple monthly fee for the whole engine. All figures exclude GST; ad spend is separate and fully client-funded.

Foundation client offer
Standard rate A$5,500 / mo  ·  first offered A$5,000 / mo
A$4,000 / month ex GST
You save A$1,500 a month, A$18,000 a year
Recommended

Always-on plan

Always-on Google Ads (mgmt)included
Always-on Meta Ads (mgmt)included
Up to 5 sale events / year (mgmt)included
Creativeincluded
Offline-conversion trackingincluded
Monthly management feeA$4,000 / mo
Ad spend you controlseparate, from A$3,000 / mo
Phase two, optional

Add SEO + AEO later

Everything in the always-on planA$4,000 / mo
SEO and AEO retainer (mgmt)+ A$2,000 / mo
Monthly managementA$6,000 / mo
Ad spend you controlseparate, from A$3,000 / mo

Add this once the paid engine is proving its return. No need to commit to it now.

Start on the always-on plan at A$4,000 a month: both channels every day, up to five sale events a year, creative and tracking all included. Layer SEO and AEO on whenever you are ready.

Next steps

How we start

#StepWho
1You pick the first one or two campaigns and rough timingGillie & Marc
2We complete the measurement foundation (one week)121 Group
3We build the landing page and campaign, you approve before launchTogether
4Campaign goes live, we optimise daily and report at the end121 Group

The painting sale proved the engine. This proposal simply points it at the rest of your catalogue, on your schedule, for the year ahead. When you are back from Rome we will walk you through it and lock the first campaign.

Prepared by Adam Ducquet · 121 Group · June 2026 · Companion document: 50% Off Painting Sale Final Report.